Post by Kaz ~;~ on Aug 16, 2010 13:19:56 GMT -5
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Date of Birth
31 March 1943, Queens, New York, USA
Birth Name
Ronald Walken
Nickname
Chris
Ronnie
Height
6'
Biography
Amazingly versatile stage & screen actor with sandy colored hair, pale complexion and a somewhat nervous disposition. Has a reputation for playing mentally unbalanced characters on-screen, however that generalisation would not do justice to Walken's depth and breadth of performances. He learnt his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo".
Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1969), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985).
Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002). Christopher Walken's talents continue to remain in high demand and movie audiences relish watching how capably he re-invents himself for each new challenging role.
Spouse
Georgianne Walken (January 1969 - present)
Trade Mark
Always tries to work a jig (dance) into his movies.
Haunting, dark humour filled monologues
Distinctive, clipped delivery.
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Trivia
Jerry Lewis influenced Walken to make show business his career. At age 10, he met Lewis on "The Colgate Comedy Hour" (1950), where Lewis and Dean Martin were guest hosts. Walken was an extra on the show and was in a skit with Lewis.
Walken initially intended to study dancing instead of acting, but dropped out of Hofstra University after one year when he landed an off-Broadway musical "Best Foot Forward" in 1963.
Ranked #96 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997]
Brother of Glenn Walken and Ken Walken.
Was George Lucas' second choice for the role of Han Solo in Star Wars: Episode IV - A New Hope (1977).
Worked briefly as a lion tamer in a circus at age 15.
Attended the Professional Children's School.
Has a phobia of going too fast in cars.
Was assaulted in a street in New York in 1980 when he asked two men to turn down their music. His nose was broken in the incident.
Was robbed at the airport in Venice and his The Prophecy II (1998) (V) script, glasses, keys, drivers licence, and $100 were stolen. All items were later found, except for the money.
Was on Natalie Wood's yacht the night she drowned.
Only Oscar-winning actor to portray a primary 007 villain, in A View to a Kill (1985).
He and Nick Nolte were both considered for the role of Han Solo in Star Wars: Episode IV - A New Hope (1977).
Manages to insert a little dance number into nearly all of his roles, no matter how small, scripted or not.
Won an MTV Video Music Award for choreographing his own moves in Fatboy Slim's 2001 music video "Weapon Of Choice."
Member of "Saturday Night Live" (1975)'s prestigious "Five Timers Club".
At the beginning of The Dead Zone (1983) he tells his class to read "The Legend of Sleepy Hollow". Sixteen years later he plays The Headless Horseman in Sleepy Hollow (1999).
Met wife, casting agent Georgianne Walken (née Thon), while touring with "West Side Story".
Has an intense dislike of handguns.
Along with Alec Baldwin, he has a standing invitation to host "Saturday Night Live" (1975) every year (if scheduling permits).
When hosting "Saturday Night Live" (1975), he likes to sing during his monologues (which has become a crowd pleasing favorite). So naturally, when co-hosting SNL specials, his introduction song "I'm Walkin, Im 'Talkin" (for the rhyme of his last name) is played.
Is only the second person in history to be nominated for both Best Supporting Actor from the Oscars, for Catch Me If You Can (2002), and Worst Supporting Actor from the Razzies, for The Country Bears (2002) in the same year. The first was James Coco, who was actually nominated for both awards for the same role in Only When I Laugh (1981).
Danced with Judy Garland at Liza Minnelli's 16th birthday party.
The son of a baker.
In his 35 years in film, he has acted in well over 90 films. He rarely turns down a part, under the belief that making movies (whether they turn out good or bad) is always a rewarding experience.
Adopted the name "Christopher" when a friend told him the name suited him better than "Ronnie". Has since stated that his adopted name sounds "like a sneeze", and he prefers to be called "Chris".
At the time of filming The Rundown (2003), he had never seen the film Willy Wonka & the Chocolate Factory (1971), and was therefore reluctant to use the phrase "Oompah Loompah" in his final scene. When learning of this, director Peter Berg gave him a copy of the film, and he finally decided to use the phrase.
Has played 3 different characters with the name Max in Kiss Toledo Goodbye (1999), Batman Returns (1992) and A View to a Kill (1985).
Has different-colored eyes (one blue and one hazel). This is a condition known as heterochromia.
Received a star on the Hollywood Walk of Fame [October 8, 2004].
One of the few hosts of "Saturday Night Live" (1975) who has hosted enough times to have his own recurring skit ("The Continental").
Loves horror films featuring zombies.
Was nominated for Broadway's 2000 Tony Award as Best Actor (Musical) for "James Joyce's The Dead."
In order to achieve the gaunt, withdrawn and hollow look of his character in The Deer Hunter (1978), it's reported that he ate a diet consisting of only rice and bananas in preparation for this film.
Alternated with his brother Glenn Walken in the role of Mike Bauer on the soap opera "Guiding Light" (1952) (1954-1956).
Ranked #1 on Tropopkin's Top 25 Most Intriguing People [Issue #100]
Said in an interview (July 2005) with the German magazine "Der Spiegel" that his father was a German baker from Essen, Germany.
His mother was Scottish-American.
He said in an interview that he has never turned down a role.
Was considered for the role of Number Two in Austin Powers: International Man of Mystery (1997).
Was considered for the role of Capt. Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl (2003).
Had read Edgar Allan Poe's "The Raven" for an audio book.
His performance as Nick Chevotarevich in The Deer Hunter (1978) is ranked #88 on Premiere Magazine's 100 Greatest Performances of All Time (2006).
Lost out to Ryan O'Neal for the romantic lead in Love Story (1970).
Received the Shakespeare Theater's Will Award in 1994 for his contributions to classical theater.
In the early 1960s he earned a job as one of three men dancing and singing with Andy Warhol favorite Monique van Vooren in her sultry nightclub act.
Was considered for the part of Andy in Dead of Night (1974).
Doesn't use a computer or own a cell phone.
Was the first to play King Philip of France on stage for "The Lion in Winter" in 1966, at the Ambassador Theatre, New York City.
He lives in his house in the country, while his wife lives in their New York apartment. Walken says the only people he sees when he is not working are the garbage men.
Is a very skilled chef.
Was named after actor Ronald Colman.
His wife, Georgianne Walken, and his brothers, Ken Walken & Glenn Walken, still call him "Ronnie".
Has said that a 200-film career is not out of the question.
Received Harvard's "Hasty Pudding Man of the Year" award on February 15, 2008.
Cannot swim very well.
A frequent host of "Saturday Night Live" (1975), he has also been parodied on the show by Jay Mohr. The youngest ever regular cast member was Anthony Michael Hall, who succeeded him in the television series based on The Dead Zone (1983), and who, like Walken, has appeared in the Batman film series.
He was nominated for a 1975 Joseph Jefferson Award for Best Guest Artist for his performance in "Sweet Bird of Youth," at the Academy Festival Theatre in Chicago, Illinois.
He appeared on "Saturday Night Live" (1975) doing a Christmas medley called "Walken In A Winter Wonderland" which he dedicated to his mother who hated that he played so many villains.
When he did the Russian roulette scene in The Deer Hunter (1978), he was remembering being sent to summer camp by his parents, which he hated. He felt betrayed, ostracized, alone - which he felt the character was experiencing at that point in the film.
He has been a huge fan of Elvis Presley since his mid-teens.
Quit smoking cigarettes in his late thirties.
Rosie O'Donell said he was one of the scariest people alive. Later, he appeared on her show and gave her a box of chocolates, flowers and they sang 'Getting to Know You.'.
His appearance in the video for Fatboy Slim's "Weapon of Choice" (directed by Spike Jonze) is credited with bringing a new generation of fans to his talents. Not only did he dance in the video, he did his own choreography.
Both of his parents were immigrants - his mother, Rosalie, from Scotland, and his father, Paul, from Germany - making him a first-generation American.
Was cast in the role of Eric Qualen in "Cliffhanger" but left before filming began. The part went to John Lithgow.
Lives in Wilton, Connecticut.
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Personal Quotes
I don't need to be made to look evil. I can do that on my own.
I make movies that nobody will see. I've made movies that even I have never seen.
Is typecasting really a problem?
My hair was famous before I was
If you want to learn how to build a house, build a house. Don't ask anybody, just build a house.
I can't imagine being somebody else. And anything I play, my reference is completely from the planet Showbusiness. I don't know anything about anybody else, people that I've known all my life - my family, my brothers - I don't know... I only know about me.
Emotional power is maybe the most valuable thing that an actor can have.
At its best, life is completely unpredictable.
I think that a good movie creates its own world, and that world needn't refer to anything that's real. If it's consistent, if it's entertaining, if it's interesting, it justifies its being there.
I always think that in movies or on stage, two people can be talking to each other - the audience doesn't necessarily have to know what they're talking about, just so long as they know that *you* know what you're talking about.
I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don't like looking at them so much. There's a sort of pretty thing about me.
Bear costumes are funny... Bears as well.
I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck. Sometimes, it can be lots of different things, or a lot of those things. Or there can be reasons why you'd like to avoid it the next time. Like the jungle. I've made a couple of movies in the jungle, and I don't want to go back to the jungle.
Back home, I do the same things every day. Exactly the same. I eat at the same time, I get up at the same time, I do the same things in the same order. I read. I have coffee. Then I study my scripts, I exercise on the treadmill, I make myself a little something to eat. I am a great believer in the Mediterranean diet.
Careers are not often as chosen as people think they are. People talk to me about my choices. I don't make choices, hardly. Things happen, and you say yes or no - usually 'yes', because it's always better to do something. What's the choice? Somebody will say, 'Don't do that part, you don't need to do that part.' And I'll say, 'Why not? What am I going to do? Sit around the house? I'd much rather go to work, and see actors, and have fun.
I believe in saving money. I believe in having a house. I believe in keeping things clean. I believe in exercising," he says. "Slow and steady is a very good thing for me. It works for me.
"I don't choose that much. I just sort of take what's there. I don't have much else to do. I don't have a lot of hobbies. I don't play golf. I don't have any children. Things that occupy people's time. I just try to take jobs. I basically work so much because I'm lazy." - On how he selects his acting roles.
"I don't even like holding them. Whenever I hold a gun, I want to get it out of my hand as quick as possible." - On guns.
I don't particularly like to do anything dangerous. And here I was in Bangkok (filming The Deer Hunter (1978)). I was in the jungle and in the mountains. Being an actor has taken me places that I never would have gone to . . . It's been a very interesting life.
I eat the same things all the time: fish, hardly ever meat. Chicken, vegetables. I'm fond of steamed sea bass over leeks. I don't drink hard liquor. I like wine.
"I get up early, at six or seven, and have coffee. I usually read in the morning. And then, if I have a script, I do that for a while. Then I exercise at a certain time. About noon. I like to cook, so usually, I'll be making something. And I have my script. My favourite thing is to have two scripts. It's great to study two things at the same time." - On his routine.
I have been in movies that I thought I wasn't very good in. I think, Chris, don't let your mouth hang open like that next time. Look at that facial tic. Don't walk in such a self-conscious way! But sometimes, I watch myself and I think that I am terrific - and that is really nice.
I have this theory about words. There's a thousand ways to say `Pass the salt.'It could mean, you know, `Can I have some salt?'; or it could mean, `I love you.'; It could mean `I'm very annoyed with you'; really, the list could go on and on.; Words are little bombs, and they have a lot of energy inside them.
I put aside an hour every day to go over that monologue again and again for months, and every time I got to the end of it, I would crack up. - On Pulp Fiction (1994).
I was already 35 years old, and I'd been in show business for 30-plus years, and suddenly there was this big movie and I was getting an Oscar, and this enormous thing happened," he says. "In Annie Hall (1977), I played the strange brother who wanted to drive into oncoming cars. Immediately after that was The Deer Hunter (1978), where I played this nice guy who shoots himself in the head. Something happened there. The fact that they came so close together, and they were both important movies, two big public things where I was simultaneously . . . 'disturbed.' That got the ball rolling for me in terms of being an actor.
I won't do commercials either. I don't want to sell anything. As an actor, it's tricky. You have this platform and it has to do with your face, your charisma. It's tricky when you endorse something because people are liable to believe you. Be careful.
I would like to be a very old man and still be acting. So I feel lucky to have stuck around for this long. You have to be good and all that, but you also have to be lucky. I guess in everything. But especially if you're an actor. So I got no complaints.
I'm serious. I do not like the unknown or the unexpected. I cannot stand being surprised, yet as an actor I like surprise. I get very upset if my bills aren't paid immediately.
I've always been a character actor, although I'm not quite sure what that means. All my scripts are absolutely covered in notes, so any time I say anything - even `pass the salt' - I have six subtexts, comments on what I really mean when I'm saying that. Maybe that's what gives the impression that I'm saying one thing and thinking something else.
"Lots of things. The script, the directors, the location, the actors, how much are they going to pay me? How long is it going to take?" - On how he chooses parts.
"No. The soul is in the words, comes from the words, not research. [Research is] useless, waste of time. And exhausting. I just don't know how to do it. I only know my own experiences. People are completely mysterious to me. Even in my own family I have no idea what any of them are thinking." - On if he does research to prepare for a role.
People always comment about my hair. It is unusual for a man my age to have so much.
There were years when I didn't do anything but collect unemployment. I worked a lot, but I worked for nothing. I worked for 15 years as a kind of janitor at the Actors Studio. I would do manual things. I did lots of plays, theater workshops, for nothing.
"What I do has a lot to do with the words. My favorite thing is to have two scripts at the same time, and study them simultaneously in the kitchen. Go over the words, over and over, do them different ways, different inflections and rhythms. For me, rhythm is very important. I think we express ourselves as much with rhythm as with the words. It's not what you say, it's how you say it. I think it's very true. If you start to say your lines and it sounds right, usually I stick with that. If it sounds right, it probably is right. It's curious, how you're not collaborating with anyone at that point, and by the time you get there with other actors on the set, usually what you've done at home makes sense, and it's acceptable to everybody. The thing I have trouble with, because I'm so dependent on knowing my lines, is that if suddenly somebody says, "Here's a big speech. You're going to do that instead," I get lost. At that point, I understand why Marlon Brando loves cue cards." - On how he memorizes his lines and mentally prepares himself for each role.
What I used to do was, I'd get the script and see who the character was - a spy, a lumberjack, whatever - then I'd try to dress the part for the audition, to give the impression that I was tough or funny or whatever the part seemed to call for. That was always a disaster. I would never get the job. If I learned anything it's not to do anything like that. Now if they want to look at me, I go in and let them look at me. Let them figure out their own reasons for why they'd want to hire me.
"When I don't have any work sometimes, a kind of thing sets in where my mind shuts down. It's almost like hibernation. It's not that I'm unhappy, but I'm not thinking anything. Then I'll go and watch television. And after an hour or two, I'll think, 'You're just sitting there watching television and it's not even interesting.' And there's nothing to do. Life becomes meaningless." - On why he hates to not be working.
With stage fright you keep on doing it and eventually the fear goes away. If you stick around long enough you become very hard to intimidate. It is very difficult to make me nervous about working these days. There have been so many times when I thought I was finished, but it was not true - you just keep going. I am scared of sickness, pollution and crazy people but, work-wise, there is nothing to frighten me.
"You know. it's really tricky. People have no idea. How do you do it? Most of the time I don't. I mean, I can't. You just do it as well as you can. And, hopefully, you did some good stuff here and some good stuff there. The best part is going home in the car at the end of the day, and thinking, 'I was good.' " - On his process of acting.
I think that movie sets when they're good, are a lot like sandboxes.
People think that my favorite roles to do are villains, but I find comedy to be the most challenging and rewarding.
I would make a very bad killer in real life because I don't think I could even pick up a gun, much less actually shoot one. Guns make me very nervous. They're dangerous. I'm more of a pacifist than anyone could imagine.
[on Quentin Tarantino] Movie scripts are usually pretty loose - things usually change a lot. But not with Quentin. His scripts are absolutely huge. All dialogue. It's all written down. You just learn the lines. It's more like a play.
Me and Dennis Hopper, when we were doing that scene in True Romance (1993), it was hilarious. It really was - including shooting him. All that laughing was real. He was killing me. And all the guys around us - that was a very cracking-up day.
Golf. My God, that's a mysterious occupation. I know people who are - good friends - who are absolutely smitten, practicing their swing and talking about it. I can understand some sort of sport where your body got a benefit, like marathon running or bicycle racing. That's not golf. And not only that, but the whole business of standing in the sun - my God. That's like torture.
Professional dancers don't go dancing.
I don't like zoos. Awful.
When I was a kid, there was someone in my family, an adult, and whenever I saw them, they would say, "You got a lotta nerve." From the time I was a little kid, it was always like, "Heh, heh, heh - you got a lotta nerve." I always thought, What does that mean? But then when I got older, I thought that it was an instruction. If you tell a kid something, it sticks. I think I do have a lot of nerve. But, I mean, I think I maybe got it from that person who said it to me.
There's something dangerous about what's funny. Jarring and disconcerting. There is a connection between funny and scary.
They say that the human smile is in fact one of those primordial things - that in fact it's a showing of teeth, that it's a warning. That when we smile, in a primeval way it has to do with fear.
Sometimes I look at this watch and I think, There's some guy that puts these little screws in there? There is something about it. I'm not into cars, either, but there is something about a really magnificent car.
It all happened when I did The Deer Hunter. Suddenly - I'd already been in show business for thirty years, and nothing much had happened. I mean, I really was laboring in obscurity, and then suddenly this movie. It was kind of infectious, and I really did become rather social. Gregarious. And that lasted, I don't know, ten years.
I had an agent when I first got into the movies who said to me, "You're gonna be in Los Angeles now once in a while. If somebody invites you to a party, don't go. Stay in your room, go to the movies." And I have a feeling I know sort of what he meant: Don't show your face around too much. Let 'em be a little glad to see you.
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop. And you know that half an hour from now, you're still gonna be bombing. It takes a thick skin.
I love spaghetti. And I like to cook spaghetti. And I used to eat it every day. I weighed thirty pounds more than I do now. You can't - you can't do that. Ice cream - I love to watch television and eat ice cream. But that's like a ten-year-old. I can't do that anymore. Beer. Beer, spaghetti, ice cream.
I always figured that if I'm gonna be playing these people, that there should be this relationship to the audience that is very clear. "That's Chris, and look at Chris having a good time, wanting to take over the world and sink California and shoot everybody in the room" - just so long as they understand that that's Chris on the set having fun. And that Chris wouldn't really do anything like that.
Most of the jobs I get are basically very unwholesome people. There's always something wrong with the guy, and sometimes something deeply wrong. I'm tired of that. I tell my agent I want a Fred MacMurray part. I want a part where I have a wife and kids and a dog and a house, and my kids say to me, "What do you think I should do, Dad?" and I say, "Be careful."
I used to love Danish. My father used to make a Boston cream pie. You never see that anymore. Very good.
My father was a lesson. He had his own bakery, and it was closed one day a week, but he would go anyway. He did it because he really loved his bakery. It wasn't a job.
That's supposed to be a fact, that the question mark is originally from an Egyptian hieroglyph that signified a cat walking away. You know, it's the tail. And that symbol meant - well, whatever it is when they're ignoring you.
I remember once, years ago, I was walking out a door - I'd been having a conversation and I was walking out the door, and this guy said to me, "Chris," and I stopped and I turned, and he said, "Be careful." And I never forgot that. And it comes back to me often: Be careful. That was good advice.
Morning is the best time to see movies.
Well, I missed the boat on computers. I think I was really just on the cusp. If I had been a little bit younger, I probably would have a computer. But when they came along, it looked so boring to me that I just never bothered. But also when something is ubiquitous, it's almost redundant. I don't have a wristhingych either because if I need to know what time it is, I ask somebody. I got stuck in an airport a while ago, and I always carry quarters so that I can use the payphone, and I tried all these payphones and they just didn't work. I guess nobody uses them anymore. And somebody asked: "Would you like to use my cell phone?" There are enough of them around. If I need to know something about something, I say to my wife: "Can you check this out on your computer", and she comes back within ten minutes with the information. I use it, I just don't have it.
For example, Batman [Returns], when I was shooting it I got very interesting clothes and accessories. On my last day of shooting I had already thought a long time about what I would like to take with me. I had some beautiful cuff links. When I had finished my last scene and went back to my dressing room everything was already gone. Everything! - on taking clothes from movie sets
My weakness as a director was if somebody would ask me something I'd say, 'Just do whatever you want.' My impression is that a director must be a little like a general. You'd hate me to be running a war because I wouldn't know what anybody is doing.
There are just certain roles - well, they never ask me to play the guy that gets the girl, even though I've been married for 41 years now, so I did get the girl.
At night I have possums, skunks, lots of raccoons. They come right in the house, through the cat door, and they bring their babies in. I get up at night and they're in the kitchen, eating all the cat food. ~ on his home in Wilton, CT
----------------------------
Date of Birth
31 March 1943, Queens, New York, USA
Birth Name
Ronald Walken
Nickname
Chris
Ronnie
Height
6'
Biography
Amazingly versatile stage & screen actor with sandy colored hair, pale complexion and a somewhat nervous disposition. Has a reputation for playing mentally unbalanced characters on-screen, however that generalisation would not do justice to Walken's depth and breadth of performances. He learnt his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo".
Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1969), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985).
Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002). Christopher Walken's talents continue to remain in high demand and movie audiences relish watching how capably he re-invents himself for each new challenging role.
Spouse
Georgianne Walken (January 1969 - present)
Trade Mark
Always tries to work a jig (dance) into his movies.
Haunting, dark humour filled monologues
Distinctive, clipped delivery.
-------------------------------
Trivia
Jerry Lewis influenced Walken to make show business his career. At age 10, he met Lewis on "The Colgate Comedy Hour" (1950), where Lewis and Dean Martin were guest hosts. Walken was an extra on the show and was in a skit with Lewis.
Walken initially intended to study dancing instead of acting, but dropped out of Hofstra University after one year when he landed an off-Broadway musical "Best Foot Forward" in 1963.
Ranked #96 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997]
Brother of Glenn Walken and Ken Walken.
Was George Lucas' second choice for the role of Han Solo in Star Wars: Episode IV - A New Hope (1977).
Worked briefly as a lion tamer in a circus at age 15.
Attended the Professional Children's School.
Has a phobia of going too fast in cars.
Was assaulted in a street in New York in 1980 when he asked two men to turn down their music. His nose was broken in the incident.
Was robbed at the airport in Venice and his The Prophecy II (1998) (V) script, glasses, keys, drivers licence, and $100 were stolen. All items were later found, except for the money.
Was on Natalie Wood's yacht the night she drowned.
Only Oscar-winning actor to portray a primary 007 villain, in A View to a Kill (1985).
He and Nick Nolte were both considered for the role of Han Solo in Star Wars: Episode IV - A New Hope (1977).
Manages to insert a little dance number into nearly all of his roles, no matter how small, scripted or not.
Won an MTV Video Music Award for choreographing his own moves in Fatboy Slim's 2001 music video "Weapon Of Choice."
Member of "Saturday Night Live" (1975)'s prestigious "Five Timers Club".
At the beginning of The Dead Zone (1983) he tells his class to read "The Legend of Sleepy Hollow". Sixteen years later he plays The Headless Horseman in Sleepy Hollow (1999).
Met wife, casting agent Georgianne Walken (née Thon), while touring with "West Side Story".
Has an intense dislike of handguns.
Along with Alec Baldwin, he has a standing invitation to host "Saturday Night Live" (1975) every year (if scheduling permits).
When hosting "Saturday Night Live" (1975), he likes to sing during his monologues (which has become a crowd pleasing favorite). So naturally, when co-hosting SNL specials, his introduction song "I'm Walkin, Im 'Talkin" (for the rhyme of his last name) is played.
Is only the second person in history to be nominated for both Best Supporting Actor from the Oscars, for Catch Me If You Can (2002), and Worst Supporting Actor from the Razzies, for The Country Bears (2002) in the same year. The first was James Coco, who was actually nominated for both awards for the same role in Only When I Laugh (1981).
Danced with Judy Garland at Liza Minnelli's 16th birthday party.
The son of a baker.
In his 35 years in film, he has acted in well over 90 films. He rarely turns down a part, under the belief that making movies (whether they turn out good or bad) is always a rewarding experience.
Adopted the name "Christopher" when a friend told him the name suited him better than "Ronnie". Has since stated that his adopted name sounds "like a sneeze", and he prefers to be called "Chris".
At the time of filming The Rundown (2003), he had never seen the film Willy Wonka & the Chocolate Factory (1971), and was therefore reluctant to use the phrase "Oompah Loompah" in his final scene. When learning of this, director Peter Berg gave him a copy of the film, and he finally decided to use the phrase.
Has played 3 different characters with the name Max in Kiss Toledo Goodbye (1999), Batman Returns (1992) and A View to a Kill (1985).
Has different-colored eyes (one blue and one hazel). This is a condition known as heterochromia.
Received a star on the Hollywood Walk of Fame [October 8, 2004].
One of the few hosts of "Saturday Night Live" (1975) who has hosted enough times to have his own recurring skit ("The Continental").
Loves horror films featuring zombies.
Was nominated for Broadway's 2000 Tony Award as Best Actor (Musical) for "James Joyce's The Dead."
In order to achieve the gaunt, withdrawn and hollow look of his character in The Deer Hunter (1978), it's reported that he ate a diet consisting of only rice and bananas in preparation for this film.
Alternated with his brother Glenn Walken in the role of Mike Bauer on the soap opera "Guiding Light" (1952) (1954-1956).
Ranked #1 on Tropopkin's Top 25 Most Intriguing People [Issue #100]
Said in an interview (July 2005) with the German magazine "Der Spiegel" that his father was a German baker from Essen, Germany.
His mother was Scottish-American.
He said in an interview that he has never turned down a role.
Was considered for the role of Number Two in Austin Powers: International Man of Mystery (1997).
Was considered for the role of Capt. Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl (2003).
Had read Edgar Allan Poe's "The Raven" for an audio book.
His performance as Nick Chevotarevich in The Deer Hunter (1978) is ranked #88 on Premiere Magazine's 100 Greatest Performances of All Time (2006).
Lost out to Ryan O'Neal for the romantic lead in Love Story (1970).
Received the Shakespeare Theater's Will Award in 1994 for his contributions to classical theater.
In the early 1960s he earned a job as one of three men dancing and singing with Andy Warhol favorite Monique van Vooren in her sultry nightclub act.
Was considered for the part of Andy in Dead of Night (1974).
Doesn't use a computer or own a cell phone.
Was the first to play King Philip of France on stage for "The Lion in Winter" in 1966, at the Ambassador Theatre, New York City.
He lives in his house in the country, while his wife lives in their New York apartment. Walken says the only people he sees when he is not working are the garbage men.
Is a very skilled chef.
Was named after actor Ronald Colman.
His wife, Georgianne Walken, and his brothers, Ken Walken & Glenn Walken, still call him "Ronnie".
Has said that a 200-film career is not out of the question.
Received Harvard's "Hasty Pudding Man of the Year" award on February 15, 2008.
Cannot swim very well.
A frequent host of "Saturday Night Live" (1975), he has also been parodied on the show by Jay Mohr. The youngest ever regular cast member was Anthony Michael Hall, who succeeded him in the television series based on The Dead Zone (1983), and who, like Walken, has appeared in the Batman film series.
He was nominated for a 1975 Joseph Jefferson Award for Best Guest Artist for his performance in "Sweet Bird of Youth," at the Academy Festival Theatre in Chicago, Illinois.
He appeared on "Saturday Night Live" (1975) doing a Christmas medley called "Walken In A Winter Wonderland" which he dedicated to his mother who hated that he played so many villains.
When he did the Russian roulette scene in The Deer Hunter (1978), he was remembering being sent to summer camp by his parents, which he hated. He felt betrayed, ostracized, alone - which he felt the character was experiencing at that point in the film.
He has been a huge fan of Elvis Presley since his mid-teens.
Quit smoking cigarettes in his late thirties.
Rosie O'Donell said he was one of the scariest people alive. Later, he appeared on her show and gave her a box of chocolates, flowers and they sang 'Getting to Know You.'.
His appearance in the video for Fatboy Slim's "Weapon of Choice" (directed by Spike Jonze) is credited with bringing a new generation of fans to his talents. Not only did he dance in the video, he did his own choreography.
Both of his parents were immigrants - his mother, Rosalie, from Scotland, and his father, Paul, from Germany - making him a first-generation American.
Was cast in the role of Eric Qualen in "Cliffhanger" but left before filming began. The part went to John Lithgow.
Lives in Wilton, Connecticut.
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Personal Quotes
I don't need to be made to look evil. I can do that on my own.
I make movies that nobody will see. I've made movies that even I have never seen.
Is typecasting really a problem?
My hair was famous before I was
If you want to learn how to build a house, build a house. Don't ask anybody, just build a house.
I can't imagine being somebody else. And anything I play, my reference is completely from the planet Showbusiness. I don't know anything about anybody else, people that I've known all my life - my family, my brothers - I don't know... I only know about me.
Emotional power is maybe the most valuable thing that an actor can have.
At its best, life is completely unpredictable.
I think that a good movie creates its own world, and that world needn't refer to anything that's real. If it's consistent, if it's entertaining, if it's interesting, it justifies its being there.
I always think that in movies or on stage, two people can be talking to each other - the audience doesn't necessarily have to know what they're talking about, just so long as they know that *you* know what you're talking about.
I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don't like looking at them so much. There's a sort of pretty thing about me.
Bear costumes are funny... Bears as well.
I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck. Sometimes, it can be lots of different things, or a lot of those things. Or there can be reasons why you'd like to avoid it the next time. Like the jungle. I've made a couple of movies in the jungle, and I don't want to go back to the jungle.
Back home, I do the same things every day. Exactly the same. I eat at the same time, I get up at the same time, I do the same things in the same order. I read. I have coffee. Then I study my scripts, I exercise on the treadmill, I make myself a little something to eat. I am a great believer in the Mediterranean diet.
Careers are not often as chosen as people think they are. People talk to me about my choices. I don't make choices, hardly. Things happen, and you say yes or no - usually 'yes', because it's always better to do something. What's the choice? Somebody will say, 'Don't do that part, you don't need to do that part.' And I'll say, 'Why not? What am I going to do? Sit around the house? I'd much rather go to work, and see actors, and have fun.
I believe in saving money. I believe in having a house. I believe in keeping things clean. I believe in exercising," he says. "Slow and steady is a very good thing for me. It works for me.
"I don't choose that much. I just sort of take what's there. I don't have much else to do. I don't have a lot of hobbies. I don't play golf. I don't have any children. Things that occupy people's time. I just try to take jobs. I basically work so much because I'm lazy." - On how he selects his acting roles.
"I don't even like holding them. Whenever I hold a gun, I want to get it out of my hand as quick as possible." - On guns.
I don't particularly like to do anything dangerous. And here I was in Bangkok (filming The Deer Hunter (1978)). I was in the jungle and in the mountains. Being an actor has taken me places that I never would have gone to . . . It's been a very interesting life.
I eat the same things all the time: fish, hardly ever meat. Chicken, vegetables. I'm fond of steamed sea bass over leeks. I don't drink hard liquor. I like wine.
"I get up early, at six or seven, and have coffee. I usually read in the morning. And then, if I have a script, I do that for a while. Then I exercise at a certain time. About noon. I like to cook, so usually, I'll be making something. And I have my script. My favourite thing is to have two scripts. It's great to study two things at the same time." - On his routine.
I have been in movies that I thought I wasn't very good in. I think, Chris, don't let your mouth hang open like that next time. Look at that facial tic. Don't walk in such a self-conscious way! But sometimes, I watch myself and I think that I am terrific - and that is really nice.
I have this theory about words. There's a thousand ways to say `Pass the salt.'It could mean, you know, `Can I have some salt?'; or it could mean, `I love you.'; It could mean `I'm very annoyed with you'; really, the list could go on and on.; Words are little bombs, and they have a lot of energy inside them.
I put aside an hour every day to go over that monologue again and again for months, and every time I got to the end of it, I would crack up. - On Pulp Fiction (1994).
I was already 35 years old, and I'd been in show business for 30-plus years, and suddenly there was this big movie and I was getting an Oscar, and this enormous thing happened," he says. "In Annie Hall (1977), I played the strange brother who wanted to drive into oncoming cars. Immediately after that was The Deer Hunter (1978), where I played this nice guy who shoots himself in the head. Something happened there. The fact that they came so close together, and they were both important movies, two big public things where I was simultaneously . . . 'disturbed.' That got the ball rolling for me in terms of being an actor.
I won't do commercials either. I don't want to sell anything. As an actor, it's tricky. You have this platform and it has to do with your face, your charisma. It's tricky when you endorse something because people are liable to believe you. Be careful.
I would like to be a very old man and still be acting. So I feel lucky to have stuck around for this long. You have to be good and all that, but you also have to be lucky. I guess in everything. But especially if you're an actor. So I got no complaints.
I'm serious. I do not like the unknown or the unexpected. I cannot stand being surprised, yet as an actor I like surprise. I get very upset if my bills aren't paid immediately.
I've always been a character actor, although I'm not quite sure what that means. All my scripts are absolutely covered in notes, so any time I say anything - even `pass the salt' - I have six subtexts, comments on what I really mean when I'm saying that. Maybe that's what gives the impression that I'm saying one thing and thinking something else.
"Lots of things. The script, the directors, the location, the actors, how much are they going to pay me? How long is it going to take?" - On how he chooses parts.
"No. The soul is in the words, comes from the words, not research. [Research is] useless, waste of time. And exhausting. I just don't know how to do it. I only know my own experiences. People are completely mysterious to me. Even in my own family I have no idea what any of them are thinking." - On if he does research to prepare for a role.
People always comment about my hair. It is unusual for a man my age to have so much.
There were years when I didn't do anything but collect unemployment. I worked a lot, but I worked for nothing. I worked for 15 years as a kind of janitor at the Actors Studio. I would do manual things. I did lots of plays, theater workshops, for nothing.
"What I do has a lot to do with the words. My favorite thing is to have two scripts at the same time, and study them simultaneously in the kitchen. Go over the words, over and over, do them different ways, different inflections and rhythms. For me, rhythm is very important. I think we express ourselves as much with rhythm as with the words. It's not what you say, it's how you say it. I think it's very true. If you start to say your lines and it sounds right, usually I stick with that. If it sounds right, it probably is right. It's curious, how you're not collaborating with anyone at that point, and by the time you get there with other actors on the set, usually what you've done at home makes sense, and it's acceptable to everybody. The thing I have trouble with, because I'm so dependent on knowing my lines, is that if suddenly somebody says, "Here's a big speech. You're going to do that instead," I get lost. At that point, I understand why Marlon Brando loves cue cards." - On how he memorizes his lines and mentally prepares himself for each role.
What I used to do was, I'd get the script and see who the character was - a spy, a lumberjack, whatever - then I'd try to dress the part for the audition, to give the impression that I was tough or funny or whatever the part seemed to call for. That was always a disaster. I would never get the job. If I learned anything it's not to do anything like that. Now if they want to look at me, I go in and let them look at me. Let them figure out their own reasons for why they'd want to hire me.
"When I don't have any work sometimes, a kind of thing sets in where my mind shuts down. It's almost like hibernation. It's not that I'm unhappy, but I'm not thinking anything. Then I'll go and watch television. And after an hour or two, I'll think, 'You're just sitting there watching television and it's not even interesting.' And there's nothing to do. Life becomes meaningless." - On why he hates to not be working.
With stage fright you keep on doing it and eventually the fear goes away. If you stick around long enough you become very hard to intimidate. It is very difficult to make me nervous about working these days. There have been so many times when I thought I was finished, but it was not true - you just keep going. I am scared of sickness, pollution and crazy people but, work-wise, there is nothing to frighten me.
"You know. it's really tricky. People have no idea. How do you do it? Most of the time I don't. I mean, I can't. You just do it as well as you can. And, hopefully, you did some good stuff here and some good stuff there. The best part is going home in the car at the end of the day, and thinking, 'I was good.' " - On his process of acting.
I think that movie sets when they're good, are a lot like sandboxes.
People think that my favorite roles to do are villains, but I find comedy to be the most challenging and rewarding.
I would make a very bad killer in real life because I don't think I could even pick up a gun, much less actually shoot one. Guns make me very nervous. They're dangerous. I'm more of a pacifist than anyone could imagine.
[on Quentin Tarantino] Movie scripts are usually pretty loose - things usually change a lot. But not with Quentin. His scripts are absolutely huge. All dialogue. It's all written down. You just learn the lines. It's more like a play.
Me and Dennis Hopper, when we were doing that scene in True Romance (1993), it was hilarious. It really was - including shooting him. All that laughing was real. He was killing me. And all the guys around us - that was a very cracking-up day.
Golf. My God, that's a mysterious occupation. I know people who are - good friends - who are absolutely smitten, practicing their swing and talking about it. I can understand some sort of sport where your body got a benefit, like marathon running or bicycle racing. That's not golf. And not only that, but the whole business of standing in the sun - my God. That's like torture.
Professional dancers don't go dancing.
I don't like zoos. Awful.
When I was a kid, there was someone in my family, an adult, and whenever I saw them, they would say, "You got a lotta nerve." From the time I was a little kid, it was always like, "Heh, heh, heh - you got a lotta nerve." I always thought, What does that mean? But then when I got older, I thought that it was an instruction. If you tell a kid something, it sticks. I think I do have a lot of nerve. But, I mean, I think I maybe got it from that person who said it to me.
There's something dangerous about what's funny. Jarring and disconcerting. There is a connection between funny and scary.
They say that the human smile is in fact one of those primordial things - that in fact it's a showing of teeth, that it's a warning. That when we smile, in a primeval way it has to do with fear.
Sometimes I look at this watch and I think, There's some guy that puts these little screws in there? There is something about it. I'm not into cars, either, but there is something about a really magnificent car.
It all happened when I did The Deer Hunter. Suddenly - I'd already been in show business for thirty years, and nothing much had happened. I mean, I really was laboring in obscurity, and then suddenly this movie. It was kind of infectious, and I really did become rather social. Gregarious. And that lasted, I don't know, ten years.
I had an agent when I first got into the movies who said to me, "You're gonna be in Los Angeles now once in a while. If somebody invites you to a party, don't go. Stay in your room, go to the movies." And I have a feeling I know sort of what he meant: Don't show your face around too much. Let 'em be a little glad to see you.
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop. And you know that half an hour from now, you're still gonna be bombing. It takes a thick skin.
I love spaghetti. And I like to cook spaghetti. And I used to eat it every day. I weighed thirty pounds more than I do now. You can't - you can't do that. Ice cream - I love to watch television and eat ice cream. But that's like a ten-year-old. I can't do that anymore. Beer. Beer, spaghetti, ice cream.
I always figured that if I'm gonna be playing these people, that there should be this relationship to the audience that is very clear. "That's Chris, and look at Chris having a good time, wanting to take over the world and sink California and shoot everybody in the room" - just so long as they understand that that's Chris on the set having fun. And that Chris wouldn't really do anything like that.
Most of the jobs I get are basically very unwholesome people. There's always something wrong with the guy, and sometimes something deeply wrong. I'm tired of that. I tell my agent I want a Fred MacMurray part. I want a part where I have a wife and kids and a dog and a house, and my kids say to me, "What do you think I should do, Dad?" and I say, "Be careful."
I used to love Danish. My father used to make a Boston cream pie. You never see that anymore. Very good.
My father was a lesson. He had his own bakery, and it was closed one day a week, but he would go anyway. He did it because he really loved his bakery. It wasn't a job.
That's supposed to be a fact, that the question mark is originally from an Egyptian hieroglyph that signified a cat walking away. You know, it's the tail. And that symbol meant - well, whatever it is when they're ignoring you.
I remember once, years ago, I was walking out a door - I'd been having a conversation and I was walking out the door, and this guy said to me, "Chris," and I stopped and I turned, and he said, "Be careful." And I never forgot that. And it comes back to me often: Be careful. That was good advice.
Morning is the best time to see movies.
Well, I missed the boat on computers. I think I was really just on the cusp. If I had been a little bit younger, I probably would have a computer. But when they came along, it looked so boring to me that I just never bothered. But also when something is ubiquitous, it's almost redundant. I don't have a wristhingych either because if I need to know what time it is, I ask somebody. I got stuck in an airport a while ago, and I always carry quarters so that I can use the payphone, and I tried all these payphones and they just didn't work. I guess nobody uses them anymore. And somebody asked: "Would you like to use my cell phone?" There are enough of them around. If I need to know something about something, I say to my wife: "Can you check this out on your computer", and she comes back within ten minutes with the information. I use it, I just don't have it.
For example, Batman [Returns], when I was shooting it I got very interesting clothes and accessories. On my last day of shooting I had already thought a long time about what I would like to take with me. I had some beautiful cuff links. When I had finished my last scene and went back to my dressing room everything was already gone. Everything! - on taking clothes from movie sets
My weakness as a director was if somebody would ask me something I'd say, 'Just do whatever you want.' My impression is that a director must be a little like a general. You'd hate me to be running a war because I wouldn't know what anybody is doing.
There are just certain roles - well, they never ask me to play the guy that gets the girl, even though I've been married for 41 years now, so I did get the girl.
At night I have possums, skunks, lots of raccoons. They come right in the house, through the cat door, and they bring their babies in. I get up at night and they're in the kitchen, eating all the cat food. ~ on his home in Wilton, CT